1. CANZONETA, Jorge Falcon
2. ESTRELLA, Sexteto Tango with Raul Funes
3. LA PAYANCA, Los muchachos de antes
4. EL ENTRERRIANO, Anibal Troilo
5. RACING CLUB, Alfredo Gobbi
6. LA MOROCHA, Blanca Mooney
This is how celebrated poet Carlos de la Pua observed the drama of the immigration at the beginning of the twentieth century,
They came from Italy, they were just twenty years old, carrying their entire fortune in their luggage.
And without respite, between disappointments, they grew old without any advantage.
Their lips never open with reproach. Always consequent, always toiling, they spent the days, they spent the nights, the old man at the forge, the old woman washing.
They had children The sons were malicious. Their daughters, conceited.
The boys are drunk, spurts, assassins. And the women are streetwalkers and dwellers of the night. And poor old parents kept working. They never showed weakness for the daily chores.
But sometimes, when she’s alone, hand washing the laundry, the tears burn her eyes.
It’s not easy to explain to which extent the Creoles Italianated themselves or the Italians went native. In 1895 49% of the population were of Italian origin. That number diminished to 40% by1914.
The Italian contribution to the tango is of first magnitude. To execute tangos, to contribute to its
development, and to invent it, was a way to make a living. But they also demonstrated a desire to assimilate into the country, its customs, its rites. However, in spite of the desire to integrate as soon as possible to the new reality, their nostalgia was very strong.
And often in the nights of the tenements, and in spite of being ridiculed by the compadritos on the patio, the tano returned to his mandolin, to his accordion and intoned songs of the old one country to which he could only go back in his dreams.
The old guard of the tango was heavily influenced by Italians and sons of Italians.
Enrique Santos Discepolo was the son of a Neapolitan. Vicente Greco, Ernesto Ponzio, Augusto Berto, Roberto Firpo, Juan Maglio Pacho, Samuel Castriota, Francisco Lomuto, Francisco Canaro, Sebastian Piana and the brothers Francisco and Julio De Caro were all children of Italians.